ED HOOKS ACTING FOR ANIMATORS PDF

Animators need to know a lot about acting, but they don't need to know everything. Acting for Animators sorts out the acting theory that animators need, presenting it in a form and with references that are more relevant to the animator's world. It explores the connections between thinking and physical action, between thinking and emotion; it provides the steps for an effective character analysis and the dynamics of a scene. Using references to animation and live action, acting principles are highlighted and explained. Plus, the accompanying CD-ROM provides explicit examples, including videoclips of improvs based on the seven essentials of acting and highlights of Rudolph Laban's movement theory. This revised edition is illustrated by Paul Naas, an animator and director whose work includes film, TV, video games, location-based entertainment, and Internet animation.

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Animators need to know a lot about acting, but they don't need to know everything. Acting for Animators sorts out the acting theory that animators need, presenting it in a form and with references that are more relevant to the animator's world. It explores the connections between thinking and physical action, between thinking and emotion; it provides the steps for an effective character analysis and the dynamics of a scene.

Using references to animation and live action, acting principles are highlighted and explained. Plus, the accompanying CD-ROM provides explicit examples, including videoclips of improvs based on the seven essentials of acting and highlights of Rudolph Laban's movement theory. This revised edition is illustrated by Paul Naas, an animator and director whose work includes film, TV, video games, location-based entertainment, and Internet animation.

Ed Hooks. The Audience II. The Medium. Classroom Exercises. An Acting Analysis. What Is Method Acting? Recommended Reading and Additional Study. The Form. He has taught acting to animators at many leading studios, including Disney Animation, Lucas Learning, and Electronic Arts. He has also been a featured speaker at international animation conferences and festivals. Hooks welcomes questions or comments - just email him at edhooks edhooks.

Seven Essential Acting Concepts. The Character. The Scene. The Camera. Works Cited. About the CD.

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This book, the 4th revised edition of Acting for Animators , includes performance analyses of five feature films : The Little Prince , Boy and the World , Zootopia and Anomalisa Plus, for good measure, I also have included an analysis of Aladdin These analyses can be extremely useful for the animator who wants to see first-hand how acting principles function in the real world. I have spent many hours on each of these films, studying the scenes and characters individually. I was mindful of story and character development, pointing out for the reader when it works and when it does not work — and explaining why. I encourage you to pay close attention to those analyses because they really are the educational icing on the cake that is Acting for Animators.

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The actor in an animation is the character on the screen, but it is the animator who must endow the character with the illusion of life. To do this, the animator must understand the connections between thinking, emotion and physical action, which are the building blocks of human behavior. Ed Hooks pioneered acting training specifically for animators as opposed to stage and movie actors , and his Acting for Animators masterclass has been presented to tens of thousands of animators around the world. Why "special" acting training for animators?

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